
Katie Aselton
Filmography
Erin and Charlie escape to the desert to navigate an unexpected and challenging new phase of their relationship.
A cranky middle-aged dad and his two best friends find themselves out of step in a changing world of millennial CEOs and powerful preschool principals.

The Unholy
Horror Mystery Supernatural Horror Investigation Mystery2021•1h 39min
United States
Director: Evan Spiliotopoulos
Alice is a young hearing-impaired girl who, after a supposed visitation from the Virgin Mary, is inexplicably able to hear, speak and heal the sick. As word spreads and people from near and far flock to witness her miracles, a disgraced journalist hoping to revive his career visits the small New England town to investigate. When terrifying events begin to happen all around, he starts to question if these phenomena are the works of the Virgin Mary or something much more sinister.

Silk Road
Crime Thriller Narcotics Crime Kidnapping & Captivity Thriller2021•1h 56min
United States
Director: Tiller Russell
Philosophical twenty-something Ross Ulbricht creates Silk Road, a dark net website that sells drugs, while DEA agent Rick Bowden goes undercover to bring him down.

Synchronic
Horror Science Fiction Thriller Supernatural Horror Time Travel Sci-Fi2020•1h 41min
United States
Director: Aaron Moorhead
Two New Orleans paramedics' lives are ripped apart after encountering a series of horrific deaths linked to a designer drug with bizarre, otherworldly effects.

Book Club
Romance Comedy Drama Romantic Comedy Parody2018•1h 44min
United States
Director: Bill Holderman
Four lifelong friends decide that their lives could change by becoming nasty and reading Fifty Shades of Grey in their monthly book club to get inspiration on how to handle sexual pleasure at an elderly age.

Creep
Horror Thriller Psychological Horror Kidnapping & Captivity Thriller2014•1h 22min
United States
Director: Patrick Brice
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.



