Emmanuelle Béart

The portrait of Geoffroy de Lagasnerie, through fragments of the present, archives, readings and close voices. A film where political thought is felt in gestures, friendship and struggles, and where cinema becomes a space for the lively circulation of thought.

1992, South of France. Charlotte and Liza, both 17, are inseparable. Together, they dream of music and imagine themselves performing on Parisian stages. But a tragedy tears them apart, leaving Charlotte alone, with dreams meant for two.

Eight women gather to celebrate Christmas in a snowbound cottage, only to find the family patriarch dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret.

When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect. To clear his name, Hunt now must ferret out the real double agent and, in the process, even the score.

Nelly leaves her lazy, unemployed husband to work for retired judge Mr Arnaud, forty years her senior, after he offers to clear her bills for her. While she types his memoirs the two develop a close friendship, but Arnaud becomes jealous when Nelly begins dating his good-looking young publisher.

Working extremely hard to keep his hotel afloat, Paul begins hearing voices in his head. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul's downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.