Yu Jun-sang

South Korea, 1998: While the country moves closer towards democracy, Young-oak remains at odds with his female-connotated name while attending a boy's school where the air is thick with testosterone. The young man is struggling to fit in and find a new name among corrupt teachers and the teenagers' violent power games, which are as subtle as they are extreme. Behind his mother Jeong-sun's seemingly unflappable exterior, a past long repressed is reemerging, which she is reluctant to face. Yet confrontation is unavoidable – and it leads back to the national tragedy surrounding the Jeju Uprising of April 3rd, 1948.

By mistake, film director Ham Chunsu arrives in Suwon a day early. With time to kill before his lecture the next day, Chunsu stops by a restored, old palace and meets an artist named Yoon Heejung. Together, they go to Heejung's workshop to look at her paintings, have Sushi with Soju for dinner, and get close. Later, they go to another café and have more drinks with Heejung's acquaintances. When asked if he is married, Chunsu is forced to reveal the fact that he is, and Heejung gets deeply disappointed...

At the same time as murder suspect Yeo-hoon is brought unconscious to the emergency room following a shooting incident, an assailant breaks into the house of Tae-jun, the emergency room's doctor in charge, and kidnaps his wife. The kidnapper calls the doctor and tells him to bring Yeo-hoon to him. To retrieve his wife, Tae-jun has no option but to save the patient and sneak him away before the police can notice.

Three men who share a past participate in a mixed martial arts reality show where they have to fight against other contestants to win the prize money.