Documentary movies
Fascinating real-life stories, historical accounts, and educational deep dives that reveal the truth about our world.
Subgenres include: True Crime Documentary, Biographical Documentary, Social & Political Documentary.
These stories take us to the dreamlike outskirts of Estonia, where the everyday is intertwined with the paranormal. At the heart of the film is the human desire to understand the unseen and listen to those whose experiences are often ignored. It is a peaceful and human journey to the edge of the unknown, which does not seek proof, but tries to understand what it means to believe.
Hanna is a real estate photographer from Mississauga who commutes daily to Toronto to snap pictures of luxury apartments for a network of shady, elusive corporations. With his debut feature, director Christopher Beaulieu provides an illuminating insight into the notion of liminality and the economic dispossession of younger generations. Favouring a detached approach, where the warmth of his celluloid images clashes with the cold functionality of Hanna’s digital photographs, where the nostalgia of past prosperity seamlessly seeps into the film material, Otium shows a rare kind of lucidity. Probing the spacious depths of empty dwellings, it tells of the contemporary Tantaluses of Hanna’s generation, for whom the gig economy provides dreams of wealth that it will make sure to keep unfulfilled.
Healers, Midwives, Witches is an experimental documentary that traces connections between village midwives and the figures of healers and witches found in historical archives. Moving between archival engravings from London and intimate conversations with the filmmaker’s grandmother and great-aunt, former midwives in rural southeast Turkey, the film brings different times and places into dialogue. Through archives and oral histories, recurring gestures, rituals, and ways of care reappear across centuries. The film approaches the witch not as a myth, but as a figure shaped by fear, control, and misogyny, carried forward through women’s memory, labour, and survival.
A group of students were making a documentary film about disability. During the filmmaking process, they began to feel concerned about the topic of disability itself. They felt that they did not fully understand the topic, yet they were responsible for presenting the documentary film to the general public. Finally, they reflected on the mistakes they had made and decided to change their journey into a documentary film.









