Stefanie Martini

Something terrible has happened to Annette’s friend, Vivian, and everyone’s decided to move on from it. Everyone except Annette. She will not “process”. She will not forgive. She’s going to make an allegorical sci-fi film – a reflection on women’s accommodation of male dominance– whether or not Vivian wants her to.

Sussex, England, 1938. Shortly before the outbreak of World War II, Thomasina and Martha Hanbury, two ingenious sisters, create LOLA, a miraculous machine.

A private investigator helps a former flame solve the murder of her wealthy grandfather, who lived in a sprawling estate surrounded by his idiosyncratic family.